“The most significant thing about Signe Damron’s writing is that she isn’t interested in writing about how things are as much as she is interested about how things feel. Keen on how words and emotions are spoken, how they feel coming out of our minds and mouths. She is interested in how words feel against our eyes when we read them. Not quite prose, not quite poetry, but something of a mix between the two that is hard to define at first reading, because it always seems to be moving and shifting, but attempting trying to find places where they are most effective.”